DEBBIE CAHOW

Painter

ARTIST STATEMENT

Debbie Cahow creates watercolors through an intuitive sense of playfulness. She is a lifelong doodler and sometimes painter. She came to Columbia, MO in 1977 with the plan to study art at the University of Missouri. She switched to nursing after getting married and starting a family. Since retiring from her nursing career in 2016, she has enjoyed a return to her art practice, especially painting with watercolor. More recently Debbie has been drawn to abstract watercolors. Debbie creates through love and joy and is influenced by all the emotions. She creates for the health of her mind, heart and soul. She loves sharing her art with others.

  • dcahow1@aol.com

    #1 untitled 12x16 1/2” unframed

    #2 friendly dragon 15 1/2x12 1/2” framed

    #3 Under the Microscope 15 1/2x12 1/2” framed

    #4 Abundance 8x10” matted

    #5 Trillium 12 1/2x15 1/2” framed


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INESSA MORELOCK

INESSA MORELOCK

inessa.more@yahoo.com

Also she could be found on Facebook, Viber and Telegram. 

Artist statement 

Being a big fan of writer Agatha Christie's detectives, I was so happy, when the Muse, who visited me, presented Agatha Christie's image to my inner vision. 

With great enthusiasm, I started working on the figure and woven pieces. Double entendre is my favorite title, so it goes: " Agatha Christie is weaving a plot of her new detective mystery " for your pleasure. 

Artist biography 

Inessa Morelock was born and raised in Kharkiv, Ukraine. For the last 23 years she has lived and created in Fulton, MO. 

Being a self taught artist, Inessa developed her own style, which combines echos of Old World legends, fairy tales and Inessa's quirky sense of humor. 

Very often Inessa is writing a short story about her creation, which helps her to understand the character she portrays in her creations. 


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Weihua Zhu

Weihua Zhu

Weihua Zhu was born and raised in China, and later moved to Japan. She now lives in Columbia, USA. These experiences laid the basis for her lifelong concern with cultural diversity. She first discovered her God-given talent when she won an art award in 7 years old. Her mediums includes watercolor, ink and acrylic on canvas. Much of her work revolves around figure work, animals and Chinese characters. She exhibits her artwork in Columbia Art League, Memorial Student Union and The Montminy Gallery.

Artist Statement: I am seeking my inner bridge between the Western and Eastern. I have practiced Chinese calligraphy since childhood. By using acrylic paint as medium, I try to talking about a correlation between stories and symbols, a try to expressing my abstract language on the canvas.  I understand my own traditions and reconstruct the relationship between myself and the contemporary world. It takes me a lot of visionary strength to enact words that evolving into a mountain scape, evoking parallels with Classical Chinese landscape painting in pen and ink. The simplicity of technique and arrangement allows my paintings to achieve an abstract and pure visual effect.  My artworks are seen as a compensation, poems of homesickness.


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Lorraine McFarland

Lorraine McFarland

Award-winning artist Lorraine McFarland works primarily in pastel and sometimes in oil. Her work as a field biologist and her dedication to environmental conservation influenced her decision to learn to paint outdoors, on location. Since 2007 she has pursued and excelled at painting "en plein air", winning many awards and satisfying her desire to connect with Mother Nature.


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Jamie Scheppers

Jamie Scheppers

Jamie Scheppers finds joy in exploring color and texture across multiple mediums. Her paintings are primarily encaustic, though she enjoys exploring other mediums and techniques in hopes of finding new ways to express a sense of carefree and incite curiosity. Though her work may span mediums, she hopes that the playfulness of her bright colors will unite her pieces and help others find ways to be more child-like in their daily lives. 


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Jewell Edward Cundiff

Jewell Edward Cundiff

Artist’s Statement

Born November 15, 1946 in Boonville, Missouri, I received a B.S. in Commercial Art from Missouri State University in 1968. Following four years in the US Navy, I worked briefly as a commercial artist for a small appliance manufacturing company. During that period, I produced the art for the first small appliance selected for the cover of the Neiman Marcus Christmas catalog.

In 1974 I began freelancing as a residential designer. When I married in 1975, I designed and built our first home and then resumed painting in earnest. I worked for architectural offices from 1978 through 1990, moonlighting on the side. I opened my own design office, J.E. Cundiff, Designer in 1990 to produce some of the area’s finest homes. My art was selling through galleries.

I continued working in my design business until family health issues forced it to close. My wife of 45 years died in May of 2021.

I started painting in high school, and still own that first painting. and practiced architectural drawings for 45 years. I see the two passions as innately related forms of artistic expression.

My art has been displayed at Artexpo New York, 2021 & 2022, SPECTRUM MIAMI, 2021, M.A.D.S. Galleries in Milan, Italy and Fuerteven, Spain, 2021 and will be on display at Red Dot Miami and Dallas Texas this fall, 2022.


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Brett Butler

Brett Butler

My passion for writing is supplemented by Photography of Dolls and Action Figures in various settings and Drawings in Comic Book format. I holds a Bachelor of Fine Arts in Digital Cinematography and Master of Fine Arts degree in Creative Writing, I have taken Photography and Drawing classes at The Boca Raton Museum of Art - Art School, and I am even more inspired by the expansion of my own creativity.

Brett Butler Photography

Brett Butler

954-303-4199

brettbutlerphotographs@yahoo.com

http://facebook.com/brettbutlerphotographs

https://www.ontheedgeofcreativity.com/photographs.html

https://www.instagram.com/bandeproductions/


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Gary Woods

GARY WOODS

“I have always had a love for photography, just being able to capture moments in life and being able to preserve them and showcase them. Photography is important to me because I want to tell a story, not just show a picture. As Elliott Erwitt said, "Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them.."

gary headshot.jpeg

Make it stand out

Whatever it is, the way you tell your story online can make all the difference.

www.fullaperturephotography.com

(573) 507-0617


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Amy Dawkins

AMY DAWKINS

www.amydawkins.art

I have been painting and drawing since childhood. Copying greeting cards onto my bedroom wall as a teenager, was a way to stay in my own space, after homework, chores, and a ride on my horse or motorcycle. My high school art teacher suggested that I attend an art institute, and I was accepted into the Maryland Institute College of Art in Baltimore, Maryland in 1987.  Those were some tough years, as I searched for love in all the wrong places and continued down a path of destruction. Throughout those years, I used charcoal drawings to release feelings, and fulfill a grade in independent drawing courses.  Those pieces carried dreary dreams and visions of themes of desperate dark doors, windows, bricks, walls and figures creating a diary of images. I received my B.F.A in 1991.

I returned to Missouri, and started driving for UPS in 1995.  I started doing pet portraits, and commission pieces kept me busy. I have done hundreds of portraits, and started doing art shows on the road, until my son was born in the summer of 2002. The broken marriage, affected us both in a hard way. His artistic talents are available for him also, as he grows through his journey.

In many of my smaller paintings during the years of 2000-2010, I liked to simplify images with a “living line,” as I listen to songs on the radio, and write out lyrics of love. Drawing out my feelings with a marker, or a piece of charcoal, or dipping a paintbrush into ink or paint, helps release tension, and at times brings beauty to the brokenness. I might spend hours, days, or months layering bright colors of paint, pushing and pulling shapes into abstract images of passion, peace, and pain. On some pieces, even years later, I add the final touch, with just a few more strokes of color and line.

Abstract paintings from 2010-2020, are made from a process that repeats, with a fast, loose line to create images about loving one another, uniting and healing. I encourage others to also paint their heart out, to spread love like wildfire. This world needs more love. Lighthouse love landscapes are visions I want to start painting.

A few of my paintings, are landscapes of whales, dolphins, and bird like images jumping into billowing clouds, with a song of hope making waves through the water. Some are triptychs about family, love and marriage, and can be turned all four ways to show contradicting perspectives, as in an ink drawing titled “Family Portrait” one way and when turned upside down, titled “Single Mom.”

I love animals, flowers and nature. I enjoy using dried flowers, seeds, and other natural objects to create one of a kind pieces on mat board and in vases. There is a magical feeling, in a dying flower, broken stem, or a milkweed pod, that bursts open with new life. The end is the beginning, and with each new bud springs life into hope that shines brightly, with each breath I take, as I continue to do my art.  


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Samuel Goodfellow

Samuel Goodfellow

All through school I doodled.  It helped me concentrate. I always thought it would be great to do more than just untutored sketching.  Other interests intruded and I had the pleasure of spending my career teaching History at Westminster College.

About ten years ago I was diagnosed with Parkinson’s Disease.  I realized that if I had any desire to dabble in the arts, I had to start now.  I poked around in my boxes of stuff and found an old Grumbacher pastel set from high school.  I started playing with it and quickly became hooked.

Having no formal training, I basically keep experimenting until I like the result.   I learn a lot, but I throw away a lot as well. Most of my pictures reflect where I have lived or travelled.  I have spent blocks of time in Yellowstone Park, Germany, France, and Namibia, all of which have very different atmospheres. Painting and drawing continues to be a wonderful learning experience.


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Lisa Bartlett

Lisa Bartlett

image6.jpeg

Artlandish Gallery

1019 E Walnut Street

Columbia, MO 65201

artlandish@live.com

573-442-2999

http://www.artlandishgallery.com

Portrait credit: Jane Mudd

Being of a restless, creative nature, I generally have multiple projects going at once. I bounce between media, and I love to experiment.

Sometimes I like to paint on very large canvases and include collage and gold leaf in the composition. I also enjoy working in three dimensions, using such found objects as old clock cases, broken ceramics, and Victorian hardware.

My work often tells a story, since I'm fascinated by human nature and by what history has to teach us. Old photographs, old letters, and other memorabilia are major sources of inspiration. Finding the beauty in brokenness is  the goal.

I'm always looking for new ideas, new construction techniques, and new projects to get excited about. Anything that involves experimentation, anything complicated, and finally just the act of creation itself--that's what I love.

 Artistic History

I received a Bachelor's of Fine Arts degree from Columbia College, Columbia Missouri in 1988

For ten years I was the graphic designer for KOMU-TV an NBC affiliate television station.

In 2001 I opened an antique store called The Vintage Shop in downtown Columbia.

In 2007 I was part owner of Spare Parts Gallery.

Since 2009- I Own and Operate Artlandish Gallery, Manage the North Village Art Studios and am on the board for the North Village Arts District in Columbia Missouri.  


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WANDA TYNER

Wanda Tyner

I am inspired by the beauty of nature seen while hiking, biking, kayaking, traveling or enjoying nature’s show in my backyard.   

I manipulate and form glass into shapes with heat, flow, dimension, patterns and texture bringing vibrant colors to life. 

My journey as a glass artist began with a quest to understand how the glass art we collected on our travels was made.   I quickly discovered a new passion for my creativity.  I am fascinated with the scientific properties of glass and the technical programming required to achieve various results in kiln-forming and casting.  I enjoy the focus and precision it takes to design and explore colors, patterns, textures, shapes and techniques to create kiln-formed and kiln-casted glass art that can be bright, bold, subtle, or textured.

My artwork depicts a story that flows from realistic representations of nature to abstract interpretations with creative 3D elements.  In addition to fine art 3D wall hangings and sculptures; I create vessels, bowls, vases, tableware, garden art, clocks and jewelry. 


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Randy Tindall

Randy Tindall

I started my photography career with a Kodak Brownie box camera — can’t recall which one — and one of the first pictures I remember taking was of one of our cattle eyeing me over a fence next to my family’s farm house. I tried to get a little more creative when my Dad let me use the Agfa Silette Pronto 35mm camera he had brought back from his Army tour in Germany. It actually focused and had exposure adjustments and such exotica. Even though everything was guesswork — no meter, no focusing aid, I tried photographing things like a dandelion from below, silhouetted against the sky, or a setting sun balanced on a fencepost.

And so it began — a lifelong fascination with cameras and light and nature. Although I have managed to travel a bit in my life, I find most of my subjects right outside our back door or within a short distance of home. Mostly I don’t need to go looking for them. They present themselves without much effort on my part, except patience and observation and an attitude that nothing is insignificant and there is very little that is not beautiful.

contact info:
E: Randy Tindall
W: nadiasyard.com


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Leslie McCoullough-Payne

Painting

Statement

I grew up with the blessing of dyslexia, my parents and siblings encouraged me to read by introducing me to mythic legends and grim fairytales and allowing me to imagine and draw: monsters, maidens, knights, great heroes/heroines  and all kinds of animals and lands, using the images to help me understand the printed words. As my education proceeded, I continued to use this method as i studied, Biology, K-12 Education, Developmental Psychology, Philosophy/Religion, Equestrian Sciences, and Art.

Influenced by the symbolism of Kandinsky's color theory, Jungian Depth Psychology, and Rupert Sheldrake’s Morphic resonance/holon theory of the formation of life forms; I have developed a personal method, dropping  acrylic paint onto wet canvas allowing the paint to mix in random patterns then allowing images to be brought forth by meditation and active imagination,  the paintings guiding me into animal formations, mythical imagery, and landscapes. I hope you enjoy the examples of my artwork, if you wish to see more you can find me on Instagram @LMCPART or Facebook as The Art of McCulloughPayne, or contact me directly at lmcculloughpayne@gmail.com  or 573-310-3950.


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Madeleine LeMieux

Statement:

Mother Material consists of multi-media art objects and images that explore the poetic intersubjectivity of the mother-child relationship while pushing against notions of essentialist motherhood and embracing nostalgia as a feminist tool for meaning-making.

To create this work I use cell phone photographs of my life and a myriad of alteration processes including sewing, painting, and printmaking and the incorporation of found objects. The resulting image objects suggest comfort, protection, and domestic space in contemporary culture while reaching for reconciliation between the lived and constructed experiences of motherhood.

Bio:

Madeleine Marie LeMieux is an artist and arts administrator in Columbia, MO.  She received her BFA with an emphasis in Art History, Theory and Criticism from The School of the Art Institute of Chicago in 2007 and her MA in Visual Arts Administration from New York University in 2011. She has been exhibiting her artwork and using art as a tool for community organizing nationally since 2004.

Highlights of her career include: serving on NYC’s Department of Cultural Affairs’ Non-Performing Arts Selection Panel of experts in 2012 and 2013, developing Groundswell’s Youth Media Council, a program which teaches teens communication tools and empowers them to create youth driven marketing content, and helping to establish Brooklyn’s first art-jewelry maker space, Brooklyn Metal Works. In 2014, LeMieux founded Resident Arts, a professional development organization for artists in Mid-Missouri. In 2016, LeMieux was honored as one of the Columbia Business Times’ 20 Under 40 successful business people. She is currently attending the University of Missouri to receive her MFA.


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David Frech

That Split-Second Moment

My own Argus Argo-Flex and Kodak film at age 12 got me started and eventually hooked on photography.  Back then you put your subject in sun light and yourself in the shade and called that exposure control.  You mailed your film to a lab and had to be happy with what they returned.  The digital transformation of photography was a godsend to me, because it allowed me to control every aspect from taking the picture to printing it.

Being a certified Missouri Master Naturalist has sharpened my eye, and being a member of both the Columbia Art League and Missouri Mid-Missouri Arts Alliance allows me to share my work with the public.

My photography has appeared in the Columbia Tribune and the Missourian, St. Louis Post-Dispatch, Images of the Ozarks (University of Missouri Press, 1998), and Images of Missouri (University of Missouri Press, 2001).  Most of it is of outdoor, existing light, subjects in South Boone County where I live.  Some from traveling Missouri and other places.

Taking a picture only requires a split-second, but capturing the mood and the light is a journey that may take hours, days, even years.  I live for that split-second moment that yields what photographers call a “keeper”, and that opportunity to share my vision with you.

You can contact me at 573-268-8058 or email David_frech@hotmailcom.


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David Moreno

“As my artist statement explains, my work is utterly incomprehensible, and therefore full of deep significance.” Calvin & Hobbs

My mom said that I was an easy birth, even though I was born with a pencil in my left hand.  I must have been 8 or 9 years old when I became conscience of my desire/ability to draw and create. I use the word “create” because at that young age,  I must have felt a need to create something, anything and with whatever I had available, be it pencil or crayon to make small drawings. In junior high and being a young boy from the Detroit, Michigan area I would draw cars and re-design and modify plastic model car kits.

In high school, I had several drafting (mechanical drawing) classes. This was way before computer aided drawing (CAD),  I found that drawing mechanically or free hand was a real fit.  I also began to take my artistic drawing more seriously by taking drawing classes at night at the local community college. I was born to draw!!

Like so many things, life got in the way of the art. It was not until my mid-twenties, when I married my wonderful wife and entered the University did I again, find my love of art by way of design and architecture. Architecture gave me that drawing/ creative release.

 At one point we lived in Cleveland, Ohio, and again I was taking night classes but, this time oil painting classes.  This art program included a nighttime program at the Cleveland Museum of Art that allowed artists to be classified as a “Copiest”. As a Copiest you were able, during certain Museum evening hours, to set up easel and paints and stand immediately in front of a Masterpiece and copy the Masterpiece. Truly a privilege. I have made several reproductions of Edgar Degas and one of Albert Besnard and of Picasso. 

 I begin each painting by drawing the subject in detail with pencil or a brush with very thin gray paint before adding any color.  This underpainting establishes the light, values and tone of the painting.

After 45 years in architecture, design and construction, I have retired and really begun to spend more time drawing and painting in earnest. For the larger paintings, I often build my own wooden frames and stretch the canvas. The subject matter for a painting is varied and pretty much whatever strikes my fancy. This year I plan to copy several of John Singer Sargent’s paintings and perhaps dabble in some abstract work.


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Curtis Hendricks

I create computer-based art using photography as a base, a product of a lifetime learning to do things differently. To see the world differently.

The colors and techniques of modern abstract art fascinated me from an early age. I wanted desperately to learn more, but there were no artists in the tiny farming village where I grew up to teach me. No one understood what modern art was, let alone why it was. But there was an appreciation for photography.

I began shooting with a 1960 model Agfa rangefinder fixed lens 35mm camera and learned to use darkroom techniques to enhance the image. Graduating to a single lens reflex camera I worked primarily with Kodachrome. Digital photography opened a new world. The computer became the artboard I never had; the darkroom I could never afford. I discovered there would never be a camera or a lens that could capture what I saw in my head – that, I had to create on my own.

I use the photograph the same way a painter uses a charcoal sketch – as a starting place. I squeeze out the unseen hiding between the pixels; the angels, the demons of my own imagination.

Light. Color. Darkness. Perspective. Introversion. Mystery. Love.



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