A Q&A with Artist, Brett Butler

Brett Butler is an artist based in Sedalia, Missouri whose photography and film projects focus on dolls, children’s toys, and other iconic images from popular culture. Many of his works hold household names like Barbie and G.I. Joe in everyday settings, such as in kitchens, bathtubs, or even in downtown Sedalia. I met with Brett to discuss his two works in the Columbia Art League’s recent show, Nibble, as well as talk about his plans for the future and reflect on his artistic practice.

Bella Reed: How did you get started in photography and film?

Brett Butler: I've always written so I started out in writing. And then what happened is, I'm a toy collector. And I started to take pictures of toys just for fun. And I used to sell toys at a flea market, and I started, I said, let me bring some pictures with me.

And the pictures started to sell, and then what I did when they started to sell was to hone in on that craft of photography. I lived in Florida…there was a school called the Boca Raton Art School, and I went there for photography. I took multiple classes under Allan Pierce, he's like my mentor for that. And he kind of got me to, you know, learn all the other stuff that I didn't know. So that's basically how I got into photography.

Bella: What or who are your influences in photography? 

Brett: In art in general, I'm an Andy Warhol fan. I have some old work that I kind of based off of that. And then...John Waters, who I've met in person, is one of my biggest guiding forces—always to shock [the viewer]. So some of my pieces can be a little bit off, compared to the normal pieces. 

Bella: I was looking on your website, and I saw there was an article in the Sedalia Democrat, and you had said that you had initially been worried about the reception of the the art pieces and things like that. Have people responded to them more than you initially expected?

Brett: Yes, much more! So I was worried about moving to Missouri because I lived in South Florida, I had a kind of an art following down there. And I had an uphill battle with this whole career because whenever I would win an award or whatever people would be like, well, you just take pictures of dolls, you don't realize how hard it is to do this. And when I got here, I'm like, I don't know if this is even going to take off.

And surprisingly enough, I've been in Missouri now for three years. It's bigger than when I lived in South Florida. I have a bigger following. I sell more here between Columbia and Sedalia. Everybody's telling me I need to go to Kansas City. Things like that, I just haven't been able to.

Pizza Bites 101 by Brett Butler

Bella: Have you visited Kansas City? 

Brett: I'm actually planning to go to Comic Con this year. That's what I'm planning to do in Kansas City.

Bella: I'm sure the pictures would be really big there!

Brett: Yeah, I'm gonna scope it out for possibly next year.

Bella: What about dolls and toys is appealing for you to photograph? 

Brett: I have been a big collector since I was a kid. I have always collected toys and stuff, so my studio at home is just full of toys and so many things. Like I have so many Barbie dolls, G.I. Joes, and every little action figure. When I come up to Columbia like today, I'll go to Midway to shop for more stuff to take pictures of.

I just started doing Lego. Lego is something new because people asked me for it. When I started doing some shows people were like, do you do Legos? And now I've been starting to do some Lego pieces. 

Bella: Oh, yeah. I'm sure Legos would be really popular. I actually brought a few friends to the Nibble reception, and one of my friends is a Lego collector. He saw your photos, and he was like "Oh, I have to start doing that!" So now he's starting to take photos of his Legos too. So you've got a follower there. Was there a certain appeal to using Lego minifigures in particular?

Brett: I will tell you, for many years I was against doing Lego figures. People were telling me this like, "Oh, do Lego, do Lego!" I was like, no, no! When I started doing this, I strictly just did Barbie. That's all I did. And then I branched out to other stuff. And then when I got to Missouri, I started to play around with Lego and I really liked it. Now I'm doing a lot of Lego stuff.

Bella: That's awesome. Yeah, I know with the Legos there's more flexibility and you can build them, like the different faces and things like that. So I sort of got that especially in this one where the chef is like, you know, all nervous.

Brett: And that was hard! I've never worked on real food because I have tons of plastic food. And real food was really hard!

Bella: Oh, yeah, I'm sure because getting the Lunchable sort of things to stay...

Brett: Yeah, because it starts to sweat after a little while. You know, you've got lights hanging over it and stuff to get the lighting right. 

Bella: Was there a reason you used specifically Lunchables in these?

Brett: Because when I was doing this, I was trying to figure out what kind of food is small enough. And the Lunchables were kind of like the ideal food that I figured could work out well with the LEGO minifigures that wasn't too big and wasn't too small.

Bella: That's fair. Yeah, when I originally looked at both of the photos, I was just hit with this huge wave of childhood nostalgia, especially with the Legos and the Lunchables put together. So I wasn't sure if there was a meaning behind that or anything like that, or if it was just like a technical sort of decision.

Brett: Because of the structure and then the wheelbarrows and what's going to fit on it, it's not gonna be too overwhelming. The background is actually a kid's refrigerator, and the door's open to the freezer.

Bella: Yeah, I was wondering what the background was.

Ham & Cheese 101 by Brett Butler

Brett: That was the hardest part of this picture. When I started doing it, I couldn't find a background. Like that's on top of the kid's stove…and that's just the freezer door. So originally, I had a Lego piece in the back, and it just looked too generic. And then I put a brick wall thing up, it looked terrible. And I'm like, let me open the door and tape it to the wall. And it was perfect! It has old food in the background, like TV dinners. So that's where the background came from.

And the wood board, I just bought that at Walmart. [Laughter] They're all right now sitting in my studio with plastic food I'm working with. And then I have Instagram and Facebook and all this to follow. If you dig into my website, you'll see my old work.

Bella: Oh, yeah, I saw there was a lot of pictures of the Barbie dolls!

Brett: Yeah, because I do a lot of Barbies still. But that was my exclusive in the beginning. And I do GI Joe. And now I just, I do anything. It's fun. It's stress relieving. I'm just happy, moving here, that the reception has been so good.

Bella: Yeah, for sure. I would have been worried as well. Like just moving to a new place and things like that—that's scary!

Brett: The first show I did in Sedalia, I belong to the Sedalia Art League as well, and to the Columbia Art League, and I went to a meeting, and they said "Oh, it's very hard to sell in Sedalia." And I did a show, you know, a group show with them in the first two pieces, they just sold. Like wow! That's never happened! So it's been a really good run.

Bella: I think there's definitely in central Missouri in particular, and I think in a lot of rural places in the Midwest, a lot of people feel really nostalgic about toys. And there's a lot of collectors.

Brett: In Sedalia, I do have a miniature Sedalia in my studio.

Bella: Oh, yeah. I remember hearing hearing about that on your website.

Brett: And so I did a show a couple of weeks ago, and I have a lot of different Godzillas from probably before you were born. I had some of them attacking Sedalia and things like that. That's my biggest seller in Sedalia, is Godzilla attacking Sedalia.

Bella: That's so funny.

Brett: So like next, the next show here, I did one for this tiny show. It's going to be a copy of Columbia. We'll see how that goes here.

Bella: That's awesome. I'm excited to see that!

Tiny Things 2023

Tiny Things

On display in the Betty and Art Robins Gallery

FEBRUARY 28 - APRIL 7

All artworks in this show are limited to 8” x 8”, including frame. Artists are challenged and inspired to create something tiny in physical size, but still powerful and touching in impact and emotion. Changing our perspective and viewpoint in one way, can lead us to see our entire worlds in expansive ways. Size isn’t everything; so what is it really, and how does it impact the creation, vision, and enjoyment of art?

Congratulations to all of the winners!

First Place: Jessica Pelzer, Tiny Tree

Second Place: Hope Martin, The Great and the Small

Third Place: Mzeona Iagorashvili, Poppy 1

Honorable Mentions

Isabella Shah, Making Art

Karalee Tearney, Reliquary One

Nancy Katzman, Green Bowl, Bird

Brett Butler, Tales from Columbia

Alisha Morton, Stowed

Jane Mudd, Maasai Women

Robert Friedman, Together

Karen Hodges, Evening Shadows

Michelle Marcum, Mushroom Siren

Sara Estrapala, Tiny Box

Derek Fox, Christmas 1980

Ernest Hilderbrand, Party Time

Anthea Rackley

On exhibit at Central Bank of Boone County from February 17, 2023 - march 31, 2023

Artist statement

This body of work focuses on exploring how various interior spaces are inhabited, interpreted, and personalized through oil and acrylic paintings showcasing rooms of various functions. By depicting and observing space that has been lived in but shows no actual people, we can still interpret an inhabitant's emotions, interests, and lifestyle.

The works show how the everyday objects and architectural spaces in our lives come together to make rooms that we form intimate relations with. Through the utilization of a graphic painting style that simplifies form and color palettes that can often provoke nostalgia, the paintings invite the viewers to remember and reflect on the interior worlds they themselves have created and connected with throughout their life.

Artist bio

Anthea Rackley (they/them) has lived in Missouri their whole life and discovered an interest in the visual arts from a very early age. They studied at Columbia College, achieving a Bachelors of Fine Arts degree in Painting and Drawing. Although that subject was their main focus, Anthea has had interest in a variety of artistic media, such as graphic design, fiber arts, and collage.

Currently in their work post graduation, Anthea is furthering their skills in various mixed media to explore more non-objective/abstract art, as well as continuing to expand their body of work pertaining to personalized spaces and interiors that was started in their BFA thesis.

Meet the Mentors

Membership Program 2023 Mentors

CAL's mentorship program is designed to increase accessibility to meaningful engagement with the arts for underserved populations, specifically High School artists, in the Columbia area community. Selected student artists are paired with a working professional artist mentor in their desired media category, and with their guidance and support, each student is expected to develop a small portfolio of work that reflects their exploration of a concept or theme. We are so excited to see what they can create together!

 

Lindsay Picht (she/her)

Lindsay Lennon Picht is a painter, primarily working in watercolor. She graduated with a BFA from Truman State University and is currently pursuing a career in the art world. She is currently teaching classes at Columbia Art League. She loves exploring different techniques within painting and drawing, and strives to create beautiful art as much as she can!

You can find more of her work on Instagram: @lindslennonart

 
 

Em Stagg (she/her)

Em Stagg primarily specializes in digital artwork and Visual Development. She earned her Master’s in illustration at the Savannah College of Art & Design and freelances alongside her day job as a Project Manager at the historic Conley House. She has worked with the Walt Disney Hometown Museum and also won a nifty Wacom tablet in a contest by Nickelodeon and LightBox Expo!

You can find more of her work at emstagg.carbonmade.com.

 
 

Kylee Isom (She/Her)

Kylee Isom is a photography student at the University of Missouri. She is a photographic and installation-based artist whose work centers around gender, stereotype, and systems of inequality. She is an advocate for the accessibility of art and has a passion for art education.

You can find more of her work at https://kyleeisom.format.com/

Laura Pintel

Laura Pintel

On display in our South Gallery through 2/25/23

Statement

I have always felt a deep connection with the natural world and this theme is often depicted in my work. In this show, in addition to paintings of birds and flowers, I include a small series of six pieces where I decided to focus on the paths that one takes in life and those obstacles- real or imagined, that can get in the way. Using walking in the woods as a metaphor, I chose to examine various barriers such as branches, puddles, or other obstacles, focusing on the fact that there is often a way forward. High contrast and bold color define my work. I strive for strong composition. I want the viewer to easily move around my paintings. I am drawn to the sensitivity of the impressionists, the pathos of the expressionists, and the graphic images of illustration. My hope is that I can share how I perceive and respond on a deeper level to the world around me.

Bio

I have always been interested in art and science – particularly the natural world. Both require keen observation. I have a B.S. degree in Biology from James Madison University, which led me first to a 10-year career as a Research Associate in Molecular Biology. During those years, I took art classes at night and eventually returned to school and completed my B.F.A. in Visual Arts at Stephens College. I enjoy exploring a variety of mediums. I work in oils and acrylics, collage, photography, and the computer. My photography primarily focuses on birds, as I am also an avid birder. For over 10 years, I have been a resident artist at Orr Street Studios. I exhibit my work there, as well as the Columbia Art League, and other local venues. I have presented locally in well over 120 art shows, and have won numerous awards.

From Cartoons to Canvases: Nibble as seen by The Intern

Which Way? by Linda Hoffman

Hello! My name is Bella, and I’m an art history student-turned-intern at the Columbia Art League this semester. Along with video games and brewing the perfect cup of tea, food and art are among my favorite things in this life. I discovered this as a young child watching the movie Ratatouille, as the main character Remy bites into a grape and some cheese and creates a wild choreography of color in his mind from the flavors alone.

Anyone my age who loves food (or Disney movies) can easily tell you that this scene is iconic in our collective generational imagination; it taught us all that both food and art, when appreciated, can describe and convey emotions in a way that is difficult to convey through language alone. When I first heard that I would get to work at the Columbia Art League during their show, Nibble, I was instantly reminded of this famous scene and got so excited to be a part of it. 

I took two of my friends along with me to the reception of Nibble last Friday. While it was a bit intimidating bringing my friends to my place of work and showing them my favorite pieces, I managed to brave through that anxiety and have meaningful conversations with them about the local art on display. 

One friend was particularly drawn to Which Way?, a fantastically textured oil painting by the local artist Linda Hoffman. We both agreed that the use of color in the piece was stunning; the contrast between the blueish-purple background and the bright yellow and orange hues of the fruit is striking. Being the art nerds that we are, we also talked about how the brushwork reminded us of Impressionist painting, similar to the works of Monet. 

Another friend was drawn to Bubble Tea Reverie, an acrylic painting by the artist Kelly Durante. As avid fans of boba tea, my friends and I absolutely adored this piece. The texture of the pinks, whites, and reds melting into one another, along with floating bubbles of dark maroon, instantly evoked the sweet whimsy and good memories of bubble tea.

Bubble Tea Reverie by Kelly Durante

As someone who has only really painted with oil and gouache, the visual effect of the acrylic paint also surprised me. When I first saw the piece, I remember staring at it, trying to figure out how a picture plane could have so much texture, yet end up being so smooth and shiny. This piece, along with Which Way? left me wanting to break out my paints again and start creating some interesting textures. It also inspired my totally-not-related purchase of tapioca pearls and matcha powder. 

Overall, seeing my first CAL show as an intern, despite my initial nervousness, was an incredibly impactful experience. Seeing so many people of different backgrounds gather to discuss not one, but two, of my favorite things in the world was something I will never forget. Although Nibble might not reach the same audience as Ratatouille might, it brought back the same appreciation for the arts (culinary or visual) that my six-year-old self learned from seeing Remy experience the wonders of French cuisine.

P.S. Here are a few of my favorite pieces from the show!

Nibble

January 17, 2023 - February 23, 2023

Our Nibble show is now on display in our group gallery! One of our favorite shows of the year is all about food and this year’s theme (Nibble) is inspired by our many receptions and the beauty of the charcuterie board. What are your favorite nibbles? Stop by and check out the show Tuesday - Friday 11:30 - 6, and Saturday 11 -5!

Nibble reception is Friday, January 20 from 6 - 8 pm!

Congratulations to the winners and to juror, Valerie Wedel for taking the time to look at each piece carefully!

1st Place: Derek Fox "Still Life with Grapes"

2nd Place: Kelly Durante "Spumoni Kiss"

3rd Place: Cheryl Hardy "Nibbled"

Honorable mentions:

Mary Sandbothe "Milk Dreams"

Joanne Zucco Berneche "Fish"

Ben Schwarz "Paris Pastry"

Juror’s Statement

When Kelsey Hammond, the Columbia Art League director, contacted me to jury this show and told me the theme was food, I replied “yes” without a thought. I always love the opportunity to see and talk about artworks by my fellow mid-Missourians, especially when they deal with such appealing subject matter. How refreshing to be introduced to works by artists that are new to me, hanging alongside works by those I’ve known for decades!

To jury the show, I walked through the works several times. It was very difficult to pick the winners, but the ones I chose stayed in my mind well after I walked past them.

Still-Life paintings don’t often move me, but Still Life with Grapes by Derek Fox actually gave me goosebumps! Even from across the room, the small composition holds its own. Spumoni Kiss, by Kelly Durante, makes me feel like I’m a tiny creature inside a piece of fruit. Cheryl Hardy’s Nibbled gives the eye a treat through its undulating textures.

I chose the honorable mentions: Milk Dreams by Mary Sandbothe, Fish by Joanne Zucco Berneche, and Paris Pastry by Ben Schwarz, for their ability to expand my thoughts well beyond the depictions of food. They conjured scenes of farm life, families gathering to honor traditions, and the joys of travel.

Art and food, I can think of no better combination!

Juror Biography

Valerie Wedel is a 2007 graduate of the University of Missouri-Columbia in Sculpture (MFA) with a focus on performance and video installation. Her food-themed performance works include 2-Hour Apple, where she slowly and continuously consumed a single fruit during a gallery reception; The Concessionist, for which she popped popcorn one kernel at a time and offered them to passersby; and The Truffle-Making Machine, where she simultaneously created and destroyed chocolate truffles in a conveyer-belt fashion. For the past eight years, she has taught studio art at William Woods University. She is also co-editing a new edition of the textbook Drawing the Human Form, by William A. Berry. Her artwork is exhibited regularly in galleries throughout the Midwest.

6 New Year's Resolutions for an Artist

  1. Set one, BIG long-term goal

  • these goals may not be accomplished in a year

  • be detailed

  • examples: selling more work, entering an art show, etc. Both can be done at CAL!

2. Set 2-3 smaller immediate goals

  • break down the large goals into smaller bites

  • month-to-month actions

  • examples: Taking a class at CAL to learn and strengthen techniques, starting a social media account, etc.

3. Schedule time to make work

  • start a calendar & plan out a to-do-list

4. Join a community of artists (like CAL!)

  • artist communities shouldn’t be your only source of learning but are an amazing way to stay encouraged & stay focused on your artwork.

  • Examples at Cal: Adult Art club, Multi-week Classes, workshops

5. See more Art

  • get out to more museums, gallery shows, art openings, or private studios

  • examples: Cal has 3 gallery spaces filled with shows throughout the year, with corresponding receptions free to the public.

6. Share your work

  • this process can be scary but take baby steps

  • making art isn’t about making something perfect every time but instead finishing the piece, learning from your mistakes & going on to create something that you could have never imagined you were capable of.

  • social media

  • entering shows (CAL has 5 shows in 2023 that are open entry for anyone 16+ years old).

Kaci Smart

On exhibit at Central Bank of Boone County from January 6, 2023 - February 16, 2023

ARTIST STATEMENT

Spending most of my professional life in the digital arts, ceramics has provided a needed contrast, allowing a more physical outlet to create. Whether thrown or hand built, each of my pieces receives added pattern or carved texture to add interest and dimension when paired with glaze. Drawn to the color combination of black and red, those glazes quickly became the foundation of the color pallet used. This consistency allows for the texture, details, and movement of each piece to stand out while simultaneously pulling all of the pieces together into a cohesive body of work.

With a foundation of utility, I found that a lot of pottery gets overlooked on cluttered tables or lost in cabinets. Adding wire to most of my work allows you to hang the piece up where it can be viewed when not in use. Each piece is fired at cone 10 with food safe glazes, allowing them to be used on the table or visually enjoyed on the wall.


ARTIST BIO

With an inherent need to create, Kaci has amassed a wide range of artistic skills extending from her digital work in graphic design and photography to her handmade work in jewelry and ceramics.

Kaci received her B.S. in Art from Columbia College in 2009 with concentrations in graphic design and jewelry. After graduation, she was hired by the college and spent the next decade honing her skills as a professional artist, working as a graphic designer and photographer. Taking advantage of a job in higher education, Kaci has spent the last several years growing her artistic skill set by studying ceramics under Associate Professor of Art Bo Bedilion. Working on pottery most evenings and weekends, ceramic quickly became a passion, serving as an artistic contrast to the digital work in her career. 

Michael Marcum - From the Waste of the World

On display in the South Gallery: Jan 3, 2023 - Jan 28, 2023

Artist Statement

I create art from the discarded waste of the world. Primarily metal. Preferably found objects and discarded materials. In my imagination, these materials then dictate the flow of both my creative process and finished pieces. Every piece manifests into its own being. I love creating and constantly learning new ways of doing things through the challenges that are wrought in materials and processes. I reclaim and rethink the ordinary.

Bio

Born in January 1972, Michael Marcum has lived and worked in Columbia, Mo., for almost 30 years. Since childhood, Michael has shown interest in experiencing, and creating art. Upon moving to Columbia, he focused his creativity on sculptures, primarily using metal and found objects. Michael has created works of art for the True/False film Fest, the University of Missouri’s Jonathan B. Murray Center for Documentary Journalism, local businesses, and private collections

Ira Papick - Burls and Curls

ON EXHIBIT IN THE SOUTH GALLERY: DEC 6, 2022 - JAN 2, 2023

ARTIST’S STATEMENT

The beauty of working with wood is that there are so many different styles that people enjoy, and I think that is great. I gravitate toward simplistic, utilitarian styles like Arts and Craft (Mission Style), Art Decco, Scandinavian, “Modern”. When crafting a piece of furniture or some other wood object, I focus on using rare and incredible pieces of wood that would never be found in factory-made furniture. I also like to accent the pieces I make with inlaid exotic woods from all over the world. My goal is to highlight beautiful unique wood in interesting ways and, hopefully, create something that is useful and joyful.

BIOGRAPHY

Ira J. Papick is an Emeritus Professor of Mathematics at the University of Nebraska- Lincoln (2008- 2011), and an Emeritus Distinguished Curatorsʼ Teaching Professor at the University of Missouri-Columbia (1978- 2008). He received his Ph.D. in Mathematics from Rutgers University in 1975. His research areas are in Commutative Algebra and Mathematics Teacher Education, and he has published numerous research papers and two books. Professor Papick is the recipient of six University of Missouri teaching awards (Purple Chalk Award, Amoco Award, Mystical 7 Award, Kemper Award, Intercampus Presidential Award for Outstanding Teaching, Curatorsʼ Distinguished Teaching Professorship). Since retirement, his creative energy has been devoted mostly to creating wood objects using unique and beautiful woods.

Kay Foley - Course Made Good

ON EXHIBIT AT CENTRAL BANK OF BOONE COUNTY: NOVEMBER 21 - JANUARY 3, 2023

Artist Statement

Course Made Good 

“Course Made Good” is a nautical term referring to a ship having found its direction, by virtue  of currents, wind, and helmsmanship. After over twenty years of working in (and loving)  mixed media, I, too, have discovered a new direction. My ship has turned. I stand at the helm  with the winds of change at my back, plotting a new destination. I’d said for many years that  I wanted to paint. I said that if I ever started I would be unstoppable. I nevertheless found  painting somehow terrifying. Then, by a bit of luck, I found my teacher and my joy and I set off,  gallivanting. Seeking passage through new waters.  

I discovered that the blank canvas is not at all intimidating. It is a playground. In acrylic  painting, layers are prized, inviting wild first marks, made with abandon. Unwelcome bits can  easily be covered up, perhaps leaving half-hidden treasures. So the white expanse of canvas is  simply an invitation to begin, in any way I choose. It is rife with possibility, much like the open  sea. My shaky hands are not the hindrance I thought they might be. They are simply an unusual  tool for markmaking. I do not need to be skilled with skinny brushes or use them ever at all, if  I’d rather not. The world is absolutely full of ways to make magic with paint.  

This is not to say that there is no struggle, midway through. But the struggle, they say, gives the  painting character and depth. My favorite painting here is one that I worked and worked and  worked on, arriving, suddenly and at last, at the joy. 

This collection of paintings is loosely centered around places and environments I love, some real,  some imagined. New York City. Paris. Maine. The sea, the sea. The sky. Places I travel in life  and secret others that I roam within my inner landscape. My intention with painting is to uplift,  enliven, and bring joy to a world that is often so very challenging. I seek that combination of  color, light, symbols, and shapes that opens my eyes a little wider, awakens my brain, and brings  a bit of spaciousness to my heart. Yours, too, I hope.  

kayfoley.com 

ampersandcards.com

Give the Gift of Art: Winter Members’ Show

ON EXHIBIT NOVEMBER 15 - JANUARY 5, 2023

This unthemed, Members-only show is always a holiday delight! We invite our artists to showcase the work they are most proud of, giving you the opportunity to snatch it up as a holiday gift!

“As a professional educator and artist, I realize and appreciate the effort of all the artists represented in the "Give the Gift of Art winter members' show" at CAL. Judging this exhibition was a joy and a challenge. There is an abundance of impressive work here to contemplate, spanning a multitude of mediums. I approached the task carefully and considered four primary areas: mastery of the medium, use of materials, effort, and personal expression. I also appreciate a dash of humor or something unexpected in works of art. The selections receiving awards and honorable mentions are most accomplished in these limited terms.”

-Danielle Langdon, Chair of the Department of Visual Arts and Music and Associate Professor of Art at Columbia College

Congratulations to our award winners in the Give the Gift of Art members’ show at CAL!

1st - Norm Anderson

2nd- Stephen Evans

3rd- Cheryl Hardy

Honorable Mentions:

Peggy Hurley

Don Bristow

Mary Sandbothe

Ira Papick

Anna Drake

Angel Brame

ON EXHIBIT IN THE SOUTH GALLERY: NOV 1 - NOV 28

ARTIST STATEMENT

“Re-purpose, Re-engineer, and Relocate”

As a production potter, clay offers me the challenge of transforming a lump of mud into something useful through the utilization of the spinning wheel and my own dexterity and coordination.  It makes me think ten steps ahead so that I may be successful in that transformation.  Clay is a continuous tactile adventure that is full of challenge and constant learning. 

In 2017, I challenged myself to create one piece per day, every day.  These pieces were small and functional, but forced me to learn new techniques and explore a variety vessels in order to stay engaged and disciplined.  Pieces were finished in multiple firing methods with eventual additions of legs, wings, wheels, etc.  Once that challenge was complete, it was time to consider the next project that would incorporate all that I had learned.

The premise of the current body of work is creatures taking found objects and “MacGyver-ing” them into escape vehicles.  As much as possible of each found object is made from clay, from the vintage camera to the tricycle to the vacuum cleaner.  Once each piece is fired, a cold finish of acrylic, enamel, and resin is used.  Final details come in the form of plastic, glass, wood, and small finding.  The end result is a balance between a realistic recreation of a recognizable object and the whimsy of the critters, always sporting goggles, leaving their current habitats for a variety of reasons.

I have found a way to combine my love of clay and paint to push my own boundaries in an exciting direction.  In fabricating every day objects out of clay and cold finishing them with paint, I have joined two worlds and opened up endless possibilities.  Each completed piece sparks a new idea with fresh challenges full of problem solving and exhilaration to start the next one.  Working sculpturally forces me to not only think ten steps ahead, but outside of any box.  

BIOGRAPHY

My initial love in art was paint.  I love the ability of paint to be manipulated to create color and texture on a flat surface that draws your attention and makes you want to reach out and touch it.  I left an incredible art department in high school and headed to a university setting where I developed an ugly case of burnout.  I took a break, got married, changed careers and achieved my first Bachelor’s Degree in Human Resources.

What I failed to notice was that in every job I held, in every company, I managed to do something creative.  I always found myself in charge of the bulletin boards or the newsletters.  I painted backdrops or designed company specific artwork.  I even painted murals in a local daycare as a favor to the owner. I may have taken a break from art, but it never quite took a break from me.  

After years of “no art,” I took a local pottery class for therapy.  I was hooked.  I found myself in the local community clay center several days a week and wanted more.  I went back to school for my second Bachelor’s Degree in Studio Art.  Finishing what I started right after high school was a personal goal that meant more to me than I ever imagined it could.

Clay is my way of thinking outside of the box and outside of my comfort zone while having some fun playing in the mud.  I have found that clay offers me things that paint cannot.  Clay offers me the challenge of transforming a lump of mud into something useful through the utilization of the spinning wheel and my own dexterity and coordination.  It makes me think ten steps ahead so that I may be successful in that transformation.  And, it gives me what I consider to be a bonus.  Once I am done with the creation process, I can still revert back to my love of color and texture with slip and glazes.  I not only have my useful platter, but a canvas to paint on as well.  For me, this is the best of all worlds.

I mostly work with functional pieces, though I make a point of creating a hang-able foot ring on my larger pieces.   It is a great thrill to me knowing that my works are being enjoyed, sometimes every morning by the coffee pot, rather than just gracing a wall and collecting dust.

I also challenge myself in ways I did not have the courage for before clay.  I make a point to take regular breaks from my functional works to create pieces for stimulating exhibits.  These challenges push me in new directions and force me to re-imagine my day-to-day shapes and forms. Teapots and cups take on new meaning as they go from everyday items to creative, inspired, and inventive pieces.   I look to answer the questions of what else can clay do?  Does it have to be glazed?  Why can't it hang from the ceiling?  These questions force me to consider all of the possibilities clay, color, fabricating, and assembly have to offer.  I'm not just thinking outside of the box, I've cut it apart, removed all expectations, and celebrated the joy of discovery.

Patron's Party: A CAL Fundraiser

On exhibit October 25 - November 4

Preview Art Party: November 1st 6-8PM - tickets required to attend

Patrons’ Party

The 3rd Annual Patrons’ Party is part “art auction,” part raffle, all fun, and with a twist. Here’s how it works: our talented community of artists will donate original artworks worth $150 or more. There will be one ticket available for each work of art. On the evening of the Patrons’ Preview Party, ticket holders will have the chance to scout their favorites and make their Top 10 Most Wanted lists. On the night of the event, Patrons will enjoy music and refreshments in the Missouri Theatre lobby.

Here’s how it works:

Artists donated artworks valued at $150+.

Artwork on display at CAL from October 25th-November 4th.

Preview Art Party: Tuesday, November 1st 6-8PM - live music, food + wine, desserts from Pasta La Fata.

Select your artwork via Zoom: November 5th or 6th during your time slot.

The twist: you will be assigned a randomly generated number and you will select your artwork in order of the number you receive.

This fun event celebrates the creativity and generosity of our talented local artists and the enthusiastic patrons who support the arts in Columbia. This is fun and important FUNdraiser for CAL!

Tickets are $150 that includes the Preview Art Party AND an original one-of-a-kind Artwork!

From Bank To Gallery: An Intern’s Experience

On the evening of Friday, October 7th, I was one of dozens of volunteers who helped turn the Central Bank of Boone County into an art gallery for a weekend. Before I get too far into it, I should probably introduce myself. My name is Riley, I’m studying art history at Mizzou and interning at Columbia Art League (CAL) this semester. 

For those who don’t know, every year CAL partners with the Central Bank of Boone County to put on an art show that exhibits local artists, professional and non-professional. This year, I got the opportunity to work behind the scenes, helping to arrange and hang almost 200 works of art. This was my first time helping to set up a large exhibit, so I was incredibly excited and equally nervous. However, those nerves were quickly calmed after I got the rundown of how show setup goes. I was warned by some veteran volunteers that the first half hour was the most chaotic, and they weren’t wrong. Once the doors opened for artists to drop off their artwork we were working non-stop. As a volunteer, I had the job of transporting the art from check-in to its designated section in the show. (I definitely reached my step goal that day). I learned that in the beginning, the most important thing is keeping up with the intake of art. My favorite part, hanging and curation, came later. 

After we received a majority of the art, we could start to arrange and hang it. The first step was creating an order and flow to the show as a whole. Since I was a newbie, for the most part, I watched the pros brainstorm and plan. It was so interesting to see how their brains worked and what decisions they made. I realized how much of a collaborative project curating is. After a plan was established I put myself to work. Knowing what I did about hanging a show, I knew that the location of pieces were subject to change. When putting together a show, you can’t get attached to where you put a piece because it might fit somewhere else better. What I didn’t know is what this actually looked like in the moment. People were constantly moving back and forth, trading artwork, changing concepts, and even reverting back to the first idea. There was an electricity in the room. I loved the lively energy and amount of off-the-cuff thinking that setting up requires. I discovered how much I thrive off of that type of environment.

With two hours, many bodies, and twice as many hands, the bank was a gallery, ready to be filled with art lovers. The most satisfying part of this experience was getting to see the show as a whole. I had a sense of pride and accomplishment when I could look at all of our work and say to myself, “we did it.” 

As an art history student who is interested in pursuing museum curation, this show gave me great hands-on experience. Since working at CAL I have learned that I not only love putting a show together but also physically handling and hanging the artwork. In addition to being an art history major, I am also minoring in studio art, so my appreciation for an artists work stems from understanding how tasking creating art can be. When dealing with art work I like the idea that someone spent time, money, and love to make what I am holding. Helping to set up this show reaffirmed my interest in working in this field, and made me eager for the next show I get to work on. 

Here are a few of my favorite pieces from the show (left to right):

Ashlee Selburg, The Beekeeper

Rheanna Flynn, The Ghost of My Flora

Jen Gigler, Nourish 2 Flourish

Cristina Nuñez, Nuances, Santa Monica II

Extended Boone County Art Show 2022

The Columbia Art League and the Central Bank of Boone County are proud to present a community favorite exhibition: The Extended Boone County Art Show.

Visit Central Bank Downtown during their regular hours to see the several of the artworks from Boone County Art Show through November 18th!

The Following is a list of a few of the winners, their work can be seen above from left to right:

1) 1st Place in Non-Professional Painting: Bass Jazz by Benjamin Schwartz

2) 2nd Place in Professional Painting: Nuances. Santa Monica II by Cristina Nuñez

3) 3rd Place in Non-Professional Painting: Finding the Source by Kay Foley

4) 3rd Place in Non-Professional Other Media: Tri-Color Guiro by Charles Moreland

Setting Up the Repeat Show from the Eyes of an Intern

My name is Natalie and I am a current intern here at Columbia Art League. I had the honor of helping out with the setup of the Repeat show alongside the wonderful Hannah Reeves from the Sager Reeves gallery, and I discovered quite a lot while doing so. The Repeat exhibition highlights the importance of repetition and precision that makes art so aesthetically pleasing. This same precision and attention to detail was also needed for setting up the show in a manner that highlighted each piece’s personal brilliance correctly. During the setup of this show, there were several challenges we came across. There is a heavy emphasis on color theory and interior design knowledge one must obtain to set up art pieces in a gallery successfully, which I learned quickly. The composition of the exhibition can completely alter the mood or theme of the pieces, so setting up pieces that fit well next to each other is absolutely imperative. Additionally, the size and medium of the artwork also posed a challenge because while aesthetic is important in the setup of the show, adequately using our amount of space is just as important. These two challenges often clashed with one another, for some pieces looked great together, yet did not fit in the space well together. The method of set up that was most successful came down to a happy medium between aesthetic and space, with pieces of similar color or styles placed together most often. 

As a current art student at Mizzou, it was fascinating to see how the artists’ work and the work of the gallery went hand and hand. I had no prior knowledge of how a gallery show set up was executed, and helping with the setup of this show taught me a lot about how I as an artist need to consider the work of the gallery more when creating pieces. I learned how crucial it is to create a proper backing to your artwork, for even the label on your piece is a huge part of what makes your art identifiable. Additionally, creating an efficient way to hang your pieces is necessary. The way you assemble the wire onto the backing of your piece can completely change how the piece will hang in the gallery, making it vital to do so adequately. It is these very small details that I as an artist had no idea were essential before being a part of this exhibition. Overall, the set up of this show taught me so much about how to excel as an artist along with giving me the proper knowledge of how to set up a successful gallery space. Being a part of this show will be an experience I will never forget!

In Honor of Richard Dutton: Rocheport Plein Air

On exhibit in the South Gallery: September 27 - October 29

STATEMENT

In September we held our first multi-day Plein Air event in Rocheport, MO. It was a gorgeous weekend with warm weather (not too hot), a nice breeze, with a couple of dramatic foggy mornings. Over 30 artists gathered in the tiny historic river town of Rocheport to paint and draw in an attempt to capture a little piece of its magic on paper. At the end of the weekend, we hosted an art reception to celebrate our adventurous experiment with much success!

These artworks represent the work of several artists, chosen in part due to skill, medium, and feeling of the weekend. Some of the selected artists participate in Plein Air events throughout the region and others tried it out for the first time. This event really brought home our mission at the Art League which is to support artists at every step of their artistic journey.

One of the ways we support artists is to show their work in our gallery (and hopefully facilitate sales), but we also work with artists in our community to teach classes and workshops. One of our favorite teachers and exhibiting artists, was Richard Dutton who was a brilliant Plein Air painter. Richard was planning on having a show in the South Gallery this month, but sadly he passed away earlier this year.

Richard was an incredibly kind and talented person. He was a wonderful teacher who encouraged the most trepidatious student and provided constructive feedback to the seasoned professional. Richard was humble and unassuming and made people feel at ease by really listening to them when they talked. We were very lucky to get to display his work in many shows at the Art League – always vibrant and full of life, his work was a pleasure to look at. We will miss his easy way and lightness and the way he was able to capture the life force of his subject matter in two dimensions.

We aim to extend our summer art adventure for a few more weeks and to honor our dear friend, we are so glad you’ve come to visit us and see “In Honor of Richard Dutton: Rocheport Plein Air”.