The Figure

The tradition of the human figure in art continues to inspire and challenge artists today. Whether abstracted or realistic, we experience the figure in art both visually and physically.

There is something joyous and celebratory about seeing this show, being surrounded by the human figure when we’ve been cloistered for so long. People, other human figures, sit, stand, kneel, curl, and contort while we walk amongst them. Our masked face is still a reminder that we need to be safe and think about those around us, but for a quiet moment, this show allows us to feel the freedom of being with others.

Our award winners

First Place: James Brown, Sisyphus 2020

Second Place: Shannon Soldner, Repose

Third Place: Deb Roberts, Front & Back

Honorable Mentions: Matt Ballou, Shayna Buckridge, Shane Epping, Jane Mudd.

To see ALL of the work featured in The Figure show, visit the gallery in person, or click the button below.

Juror’s Statement

The Figure  | Juror’s Statement | Valerie Wedel

Every time I come into the Columbia Art League, I am struck by the quality and variety of work produced by our local art community, and this time was no exception. I felt privileged to be able to spend time with these pieces to make selections. In doing so, I not only considered qualities such as craftsmanship and use of the elements and principles of art, but also asked myself whether the artist brings a unique voice to the overall exhibition. Risk-taking is also an important aspect of artistic growth, which I attempted to recognize as well, for with continued practice, these efforts can lay the groundwork for future mastery. 

The best works hit the mark in all the above categories. The moment I saw Jim Brown’s Sisyphus 2020 bronze, I thought “that’s how we all feel right now,” and it has been occupying my mind for days. Exceptional artwork offers something new every time one looks at it and I experienced that with Shannon Solder’s Repose and her deft brushstrokes of rich colors in subtle combinations. I had a similar experience when engaging with Front & Back, by Deb Roberts. It was like reading a mystery story about negotiating with one’s own body. 

Depictions of the human form have been with us since prehistoric people began making marks on cave walls. The fact that there are still new things to say through the figure is evidenced by this magnificent show.

Bio

Valerie Wedel is a 2007 graduate of the University of Missouri-Columbia in Sculpture (MFA) with a focus on performance and video installation. In 2002, she earned a BFA in Painting and Drawing from Columbia College and in 1991, a BA in French and Peace Studies from Washington University in St. Louis. She has taught at Stephens College, Columbia College, and Missouri Valley College. She currently teaches studio art at William Woods University and is co-editing a new edition of the textbook Drawing the Human Form, by William A. Berry. Her work is exhibited regularly in galleries throughout the Midwest.