It would seem artists have always played a tug-of-war between intent and medium: what they want to say and how they want to say it. Traditionally they have looked to their surrounding environment to satisfy this. Wood, stone, clay and reed were the materials they used to express their creativity. Their environment was reflected in, and utilized as, their art.
Today, we have the richness of the world available to us in the time it takes to drive to the art supply store. Overwhelmed by this choice, I wanted to return to these roots of expression. In my journey, no matter where I lived or traveled, I found one material in almost embarrassing abundance: Paper.
In exploring this material, I found incredible strength along with delicate flexibility. This lightweight, low-tech, and eco-friendly material offered artistic challenge along with unexpected durability. It’s the perfect medium in a modern, mobile society.
I blend my own paper clay using mostly recycled papers, producing a soft, fibrous clay. I then sculpt using some of the same methods of earthen clay sculpture, along with a few improvised ones to accommodate the texture and workability of the clay. My sculptures are made of solid paper, without the use of wood or metal armatures. This extra challenge forces me to slow down and immerse myself in the process, which I count as an added bonus in a busy world.
After 30 years of living and traveling throughout the U.S. and overseas, my husband and I have quite happily settled in Columbia, where we plan to stay.